Arturo Benedetti Michelangeli (1920-1995)

I've added a few more details to the relevant webpage. In 1939 (the year of its foundation) Arturo Benedetti Michelangeli won first prize in the Concours de Genève/Geneva International Music Competition, where he was acclaimed as "a new Liszt" by pianist Alfred Cortot, a member of the judging panel, which was presided over by Ignacy Jan Paderewski.  (Martha Argerich would win in 1957.) The young man from Brescia was awarded 1000 Swiss francs, and an anonymous donor, bowled ov

Hamburg 2021

Financial Times 8 July 2011 Michelangeli confined himself to the G major concerto. How did he influence her during the 18 months she spent with him? “I don’t know. He was around most of the time but he wasn’t interested in us [pupils]. He only gave me four lessons. Later he told an interviewer: ‘I did a lot for that girl.’ When asked what he had done for me, he replied: ‘I taught her the music of silence’.” This is a joke, and we both laugh. She says Michelangeli was generou

Arturo Benedetti Michelangeli: "The piano is my enemy!" This extract is from an Italian newspaper in March 1987, the month when I heard ABM (for the only time). «Queste sono macchine infernali» Words and life in London of this most reclusive and secretive of musicians, who will give his final concert on Saturday. Michelangeli: "The piano is my enemy". He is staying in the English capital in a small apartment with special curtains. He is accompanied by his faithful secretar

Two snippets from an interview with Howard Klein for The New York Times, 16 January 1966 Contempt Michelangeli's repertory is basically romantic, but he has played all the piano music of Schoenberg and Webern's Variations. But for music after the 1950s he has contempt. He suavely mimed an avant-garde pianist at work: the left elbow gracefully smashed into the bass of an imaginary keyboard, followed by the right, then the right index finger twanged a string. This was amplifie