28 February 1936 (Jorge Bolet age 21) Salón Novedades, Pamplona, Navarra (Spain) Recital incl. Chopin's Sonata No. 3, Beethoven, other works of Chopin, de Falla, Rachmaninoff. ​​ La Voz de Navarra (26.2.1936) mentions that in Vienna Julius Isserlis (1888 – 1968), a pianist and composer born in Kishinev, Russian Empire (now Chișinău, Republic of Moldova), had marvelled at Bolet's phenomenal technique, his powerful and beautiful touch, captivating rhythm, and his impeccable p

7 May, 1950 Teatro Nacional, Havana Recital incl. Beethoven's Sonata in D minor ("Tempest"?), Franck, Prelude, Chorale et Fugue & some Mendelssohn, ending with Strauss/Godowsky "El Murciélago"(Fledermaus Waltzes) Diario de la Marina, 11 May 1950 Jorge Bolet Reveals Himself as a Virtuoso in His Full Maturity The brilliant pianist played Chopin as few have managed to do in his recent concert *A spirited review by Nena Benítez Last Sunday, May 7th, in the morning, we attended an

Nice to be reminded of the first recital in whcih I heard Jorge Bolet, January 1985 In the Daily Telegraph, Anthony Payne - English composer, music critic and musicologist, best known for his acclaimed completion of Edward Elgar's third symphony -wrote:

Jorge replaced an indisposed Claudio Arrau sometime in April 1983 but I cannot fit it into the chronology yet. Bonn, West Germany: Beethoven Spring Festival, April 1983 Claudio Arrau was born on 6 February, 1903, in Chillán, Chile celebrated his 80th birthday in 1983. Dieter Schüren wrote in Die Welt (28 April 1983): 'Because the 80-year-old Claudio Arrau suddenly withdrew from the Bonn Beethoven Festival, the spring cycle began a day late and with Jorge Bolet at the piano a

Santiago , Chile: 5 & 7 June 1984 (Jorge had previously performed in Chile on 14 and 16 June 1983. Claudio Arrau had returned to Chile after a long absence in May 1984.) Romantic Programme Teatro Municipal, Santiago, Chile Liszt , Concertos 1 & 2 Orquesta Filarmónica de Santiago/ Simón Blech (1924-1997, Polish-Argentinian) The British Council is one of the sponsors of the concerts, but I don’t know why. ‘The eleventh performance of the Santiago Philharmonic at the Municipa

I sent David a link to the video of his performance with Jorge on 9 November 1988 (see previous post, link below) and he has sent me this appreciation. As with other contributions from students and friends of Jorge, I feel privileged to be able to add David's to this website, not least because he worked - albeit for a brief moment in time - with the pianist. ‘Thanks, Douglas, for sending this. I didn’t even know it existed until you mentioned it. So, it was a live performance

Diário do Pará, the largest newspaper in the northern region of Brazil, based in Belém, Pará. Its Sunday edition of 24 November 1985 carried a review of Liszt volume 5 (Années de Pèlerinage: Suisse S.160) for Decca. Quando certa vez perguntei a Hélio Gaspar, o excelente pianista paraense, qual o pianista da atualidade que lhe causava mais admiração, ele respondeu sem pestanejar: o cu- bano Jorge Bolet. E arrematou: gostaria de tocar como ele. Quem sou eu para contradizer o He

"It has been a long time since we have heard in Lima a pianist of Bolet's stature." 9 June 1982 Auditorio, Colegio Santa Ursula, Lima Mendessohn, Fantasy in F minor Op.28 Schumann, Fantasy in C major Op.17 Schubert/Liszt, 5 Lieder (Auf dem Wasser au singen, Der Müller under der Bach, Der Lindenbaum, Aufenthalt, Erlkönig) Liszt, Mephisto Waltz Jorge's only recital that year in Lima, Peru, a recital arranged in association with Baldwin Pianos (Los Zorzalas 140, San Isidro, Lim

10 July 1979 Teatro Solís, Montevideo, Uruguay 30th anniversary of SODRE (Servicio Oficial de Difusión, Representaciones y Espectáculos; Official Service for Broadcasting, Performances and Entertainment) in con junction with the Embassy of the USA Liszt's Sonata, Funerailles and his Transcendental Études 7, 6, 12, 9 and 8. (JB's first appearance in the country) ​El País (Montevideo): Inimitable style. He is a gigantic man, and possesses a musical and pianistic talent that is

A newspaper review dated 26 May 1980 mentions a concerto with Armando Krieger and the Orquesta Sinfónica del Sodre (in Montevideo, Uruguay). It featured Uruguayan composer. León Biriotti's Symphony No. 3, "in memoriam Lauro Ayestarán" and Jorge playing Rachmaninoff 3 This score, which is important, dates back some 12 years (1968) and is only now being considered. The symphony, over 20 minutes long, masterfully utilizes rhythms and sound textures (it features a very rich percu

14 November 1981 Kobacker Hall, Bowling Green State University, Ohio Mendelssohn, Schumann Fantasy, Schubert/Liszt Lieder, Mephisto waltz (as 11 Nov. 1981) ​​ Boris Nelson, in The Toledo Blade 16.11.81: 'Mr Bolet's brilliant playing has been honed to the very edge. His immense, virtuosity, experience, and sheer intelligence all concentrate on the music's lyricism. And being a romantic at heart, he envelops it with a luminous sound that whispers or propels into a sunburst of p

Just occasionally I might mention another pianist, and this evening Monday 4 May 2026 at the Wigmore Hall in London I heard Swiss Italian Francesco Piemontesi (b.1983 Locarno). He played Schubert's Sonata in G Major D894 followed by Liszt's Années de pèlerinage, première année, Suisse S160. I think it is one of the best piano recitals I’ve heard in 40 years of attending concerts. He also treated us to two encores, one of which was beloved of Jorge Bolet: Chopin/Godowsky, Étud

Another contender for Jorge Bolet's best review...

Review of 10 May 1979 recital in the Queen Elizabeth Hall, London

Jorge Bolet began his major return to the UK in 1977. Edward Greenfield's review is very complimentary. 17 February 1977, Thursday (he was aged 62) Queen Elizabeth Hall, London Haydn, Sonata in E flat (No.52), Telemann/Reger, Liszt 3 Concert Studies, Don Juan Fantasy Jorge was generous with encores. Chopin: Nocturne in F minor, Op.55 No.1, Moszkowski: La Jongleuse, Op.52 No.4, Chopin/Godowsky: Etude in G-flat major, Op.10 No.5 (Study No.7 in G-flat major), Liszt: Valse-Impro

Michael Steinberg wrote a long and considered review in The Boston Globe (4.8.1974) of Jorge Bolet's Carnegie Hall recording whoch RCA issued in August 1974 Carl Michael Alfred Steinberg (4 October 1928 – 26 July 2009) was an American music critic and author who specialised in classical music. He was best known, according to San Francisco Chronicle music critic Joshua Kosman, for "the illuminating, witty and often deeply personal notes he wrote for the San Francisco Sympho

There's a bit of drudgery leafing through masses of newspaper reviews, but it's worth it when you come across a jewel like this. 31 January 1971 (Sunday, 3pm) Fair Lawn High School, Fair Lawn, New Jersey, USA Beethoven: Piano Sonata No.31 in A-flat major, Op.110 Liszt: 12 Études d’exécution transcendante, S.139: 7. Eroica, 5. Feux Follets, 9. Ricordanza, 8. Wilde Jagd Chopin: 24 Preludes, Op.28 Encores: Schumann/Liszt: Widmung, Op.25 No.1 (S.566), Chopin: Waltz in D-flat majo

Jorge Bolet in the Syndey Morning Herald and The Age

Jorge Bolet, Hochschule für Musik, Berlin, March 1961. "Only David Oistrakh received the sort of ovation this audience gave Mr Bolet, calling him again and again to the stage for more than half an hour after the concert." ( Tagespiegel 31.3.1961) Of the Liszt festival in Berlin in August/September 1961: Spandauer Volksblatt (5 October 1961), "When something up after the end of the Festival Weeks, Jorge Bolet's piano, recital will remain as one of the strongest assets. He pl

Santa Barbara newspaper, January 1961