Jorge Bolet began his major return to the UK in 1977. Edward Greenfield's review is very complimentary. 17 February 1977, Thursday (he was aged 62) Queen Elizabeth Hall, London Haydn, Sonata in E flat (No.52), Telemann/Reger, Liszt 3 Concert Studies, Don Juan Fantasy Jorge was generous with encores. Chopin: Nocturne in F minor, Op.55 No.1, Moszkowski: La Jongleuse, Op.52 No.4, Chopin/Godowsky: Etude in G-flat major, Op.10 No.5 (Study No.7 in G-flat major), Liszt: Valse-Impro

My trawl through Jorge Bolet's concerts has clarified a number of issues. It looks as if it was in the mid-1970s that he introduced two new and substantial works to his repertoire. I could have missed earlier mentions but it may be that someone can explain how he came to these two works, especially the Reger which has high rarity value. 29 September 1975 Teatro Coliseo, Buenos Aires (Argentina) incl.Chopin's Sonata No. 3 in B minor Op.58 and the Mozart/Liszt Don Juan Fantas

A recording which is often forgotten is one Jorge went into the studio to set down on 29 February - 2 March,1980 in Kingsway Hall, London: BRAHMS Variations and Fugue on a Theme by Handel Op.24 REGER Variations & Fugue on a Theme of Telemann Op.134 (It was issued on LP in November 1981) ​ 'The circumstances of the recording of the Reger and Brahms were a different cup of tea [from the 2 previous recordings Chopin & Godowsky (1977) & Liszt (1978). As it was clear that all fut