Review of 10 May 1979 recital in the Queen Elizabeth Hall, London

There's a bit of drudgery leafing through masses of newspaper reviews, but it's worth it when you come across a jewel like this. 31 January 1971 (Sunday, 3pm) Fair Lawn High School, Fair Lawn, New Jersey, USA Beethoven: Piano Sonata No.31 in A-flat major, Op.110 Liszt: 12 Études d’exécution transcendante, S.139: 7. Eroica, 5. Feux Follets, 9. Ricordanza, 8. Wilde Jagd Chopin: 24 Preludes, Op.28 Encores: Schumann/Liszt: Widmung, Op.25 No.1 (S.566), Chopin: Waltz in D-flat majo

Two reviews of the first Jorge Bolet concert I ever heard. At that time, I travelled up from Oxford for the evening and went backstage (of course) afterwards. I remembered being surprised to see him smoking (!) and he had a huge black overcoat/cape lying on a table, every inch the dapper gentleman from a past age.

Mattheus Smits has sent me this memory of the recording sessions on 3/4 October 1977. Jorge and Tex had serious doubts about signing this contract due to bad experiences with recording companies in the past (RCA and VOX). We owe it to Peter Wadland that the contract was signed. For the scores of the music, Peter could find the Études in a library, but for the Waltzes Jorge had to send him his copies. Also Jorge's choice of the Bechstein was not an easy task for Peter Wadlan

Hercules Late November 1966 Herkulessaal, Munich Chopin, Ballades; Liszt Sonata, Mephisto Waltz (& encores) Although already 53 years old, Jorge Bolet has only been heard here once before, stepping in for a colleague in an orchestral concert. Now he appeared in the Herkulessaal in his own piano recital, tall, powerful, with a graying mustache. First impression: A gentleman, a caballero. Second: Also a nobleman of pianism. He plays the four Chopin Ballades. Every note that now

I'm a bit late to this as the article was published in November/December 2014 in International Piano . However... Jeremy Nicholas, who wrote a biography of Godowsky, recalls Jorge Bolet. Here's an extract. Though it would be presumptuous of me to describe him as a friend, I got to know him quite well in the late 1970s. Thereafter, he would invariably phone to tell me when he was in the country and I made sure I saw him after all his UK recitals. One memorable evening, I thi

Jorge Bolet, September 1975, Teatro Coliseo, Buenos Aires. (Newly added to website) After Brazil, Jorge played in Buenos Aires, Argentina. Diario Crónica 26 September 1975 announces that at 9:30pm that evening, Friday, Sociedad de Conciertos de Buenos Aires 'presents the sensational pianist in a “marathon programme” of Bach/Busoni, Chopin, Strauss and Wagner-Liszt. The venue is the Teatro Coliseo (on Marcelo T. de Alvear 1125) in the Retiro neighbourhood. (The Coliseo

One of the very last recordings Jorge Bolet made (of Chopin's Berceuse). In November 2024, Donald Manildi wrote in the International Piano magazine: "Included as disc 26 is a CD of previously unreleased performances that stem from Bolet’s final recording sessions in San Francisco (February 1990). There are seven Chopin Nocturnes and the Berceuse; they require special comment. It is unclear whether Bolet approved these performances for release. He was not in good health at t

Did Jorge Bolet play Chopin as well as he did Liszt? A video uploaded to YouTube, hence the bit about "comments" at the end