Carlos DuPré Moseley's (1914-2012) remarkable career with the New York Philharmonic lasted from 1955 to 1985. He rose to become Managing Director (a post now referred to as Executive Director), President, and Chairman of the Board. Moseley presided over the Bernstein-Boulez era at the Philharmonic, during which the orchestra cut an uncommonly bold and unpredictable profile. He was an elegant, courtly man, whose South Carolina accent probably fooled more than a few Easterners

Lipscomb University is a private Christian university in Nashville, Tennessee, United States. Photo at reception after Jorge Bolet's recital 20 November, 1961.

While looking Jorge's tour of Spain and Portugal in May 1962, I came across this: "Recently, the Murcian painter Ignacio López welcomed the American collectors Tex Compton and Jorge Bolet to his studio in Alcantarilla. Their purpose was to acquire some of his most recent works, several commissioned by the U.S. Secretary of Defense, Mr Robert McNamara, and to simultaneously arrange an exhibition of the artist's work in California." Linea (Murcia, Spain), 23 May 1962 Ignacio

Cidade de Santos (São Paulo), 21 June 1981 An interview with pianist João Carlos Martins Piano Concerto No. 1, Op. 28 by the Argentinian composer Alberto Ginastera. The work was commissioned by the Koussevitzky Foundation and was completed in 1961. It was first performed by the pianist João Carlos Martins and the National Symphony Orchestra conducted by Howard Mitchell in Washington, D.C., on April 22, 1961. "Foi em 60, quando a esposa do professor Kliass - o grande mestre de

Jorge Bolet's agent at Columbia Artists from the 1960s onwards Nelly Walters died in October 2001 aged 100, after 70 years in the business; flowers and cards arrived in from celebrities across the world for her birthday in January. She was an integral part of the history of CAMI, retiring only in 1997. Born in Germany, she grew up in Dresden; in Berlin she worked for the Otto Mertens agency - his son André would later become her boss at CAMI in New York. She had begun alre

Speaking in 1974 to Russell Harty

Jorge Bolet in the Syndey Morning Herald and The Age

A couple of clippings from Cincinnati newspapers October 1963

Jorge Bolet on Latin American music, as reported in the Oregon Daily Journal , 17 November 1962

Redwood City Tribune, 31 December 1960

The Columbus Ledger (Georgia) devotes at least five articles to Jorge in October 1961

Jorge Bolet, Hochschule für Musik, Berlin, March 1961. "Only David Oistrakh received the sort of ovation this audience gave Mr Bolet, calling him again and again to the stage for more than half an hour after the concert." ( Tagespiegel 31.3.1961) Of the Liszt festival in Berlin in August/September 1961: Spandauer Volksblatt (5 October 1961), "When something up after the end of the Festival Weeks, Jorge Bolet's piano, recital will remain as one of the strongest assets. He pl

Santa Barbara newspaper, January 1961

Pianist Jorge Bolet Receives a “Strong” Welcome "A visiting pianist at Joint Senior High School expected polite applause and perhaps a wilted corsage. Instead, he was met by the school’s human brick wall: the school’s impressively built football team, captained by Buck “Brick” Donovan—owner of a jaw you could sharpen pencils on, shoulders that apparently require their own postcode, and a varsity sweater clinging on for dear life. His grin? Bright enough to make the stage ligh

New Zealand's Evening Post (11 March 1961) carries a text by Jorge Bolet on his preparation for the 1960 film (with Dirk Bogarde) ​ When William Goetz, the producer of "Song Without End " first approached me with the idea of portraying musically the great Franz Liszt , I must confess I received the suggestion with mixed feelings. ​ Naturally, I was enthusiastic at the opportunity to play the music of a man who had always been my artistic idol, but the offer had its terrifyi

I've added some reviews from Jorge's New Zealand tour of 1964 to the relevant page. Here are some clippings from the Evening Post .

On 30 June 1969, Jorge Bolet gave a performance at Bloomington, Indiana, where he had just started teaching. He played Rachmaninoff, Piano Concerto No. 3 in D Minor, Op. 30. Ralph Vaughan William's glorious Symphony No. 5 in D major was the other item on the programme. On the Palexa CD that came out, Charles Webb is assumed to be the conductor. Several discographies list him as being on the podium. However, The Indianapolis Star (25.6.1969) mentions that the conductor will

25/26 (?) January 1968, Tchaikovsky's Piano Concerto in the Teatro Real, Madrid with Rafael Frühbeck de Burgos and the Orquesta Nacional de España. "Pines of Rome" by Respighi and a work by Óscar Esplá (1886-1976). ​ 'The Cuban pianist Jorge Bolet possesses the technique of a great virtuoso, demonstrated time and again in both the mechanical capacity and the possibilities of power ( demostrada una y otra veztanto en la capacidad mecánica como en las posibilidades de potencia

Jorge Bolet and The Devil, 1964: the video will explain! In late October and November, Bolet made a tour of South Africa (spring in the southern hemisphere). Impresario Hans Adler told the Johannesburg Sunday Times in November 1962 that negotiations for the tour were already under way. This tour would also include a recital in Windhoek, formerly South West Africa, now Namibia)​​​. See South Africa page for more details

Sunday, 21 October 1956, Åmål in Västra Götaland County, Sweden. Svenska Dagbladet says 'the famous American will visit the Music Circle of the School ( Läroverk ) here today'. The same newspaper report on 31 December 1960 the following: 'Mr Bolet suddenly showed himself to be very familiar with Åmål. He simply loved the little town. A few years ago he went there to give a concert. He came a day early. Therefore no one was down to meet him at the railway station. The plac