I've used ChatGPT to improve the quality of a charming photo from the Diario de la Marina, 16 June 1929. (I asked for the second attempt to be glossy!). I feel he's actually aged 12 here, and that the newspaper not using a recent photograph.

Nice to be reminded of the first recital in whcih I heard Jorge Bolet, January 1985 In the Daily Telegraph, Anthony Payne - English composer, music critic and musicologist, best known for his acclaimed completion of Edward Elgar's third symphony -wrote:

1914 Born Havana, Cuba on 15 November to Antonio Bolet Valdés and Adelina Tremoleda de la Paz. c.1925/1926 Aged about nine or ten, Jorge played in the old-fashioned salon in Havana of Mrs Amelia Solberg de Hoskinson. 1926 13 August: first of two benefit concerts for the young Jorge in the Teatro Principal de la Comedia (organised by Maria Jones de Castro) 1927 4 September: second of two benefit concerts for the young Jorge in the Gran Teatro Nacional, Havana. Organised by Am

It is not my intention to write a biography of Jorge Bolet, but I thought I would have a go at one chapter on his early years (1914-1927), especially as the material is rather scattered on this website, and confusing, too. This has enabled me to make connections with things I know now about his later life when I see what I have written on the page. Comments, corrections and additions are most welcome. UPDATE! When I say the material is rather scattered and confusing, I mean

A fellow student in the same year as Jorge Bolet (1927) was Sidney Foster (born in Florence, South Carolina, in 1917) who was aged 10, the youngest student Curtis ever took. (In 1968 Foster, a Professor at Indiana School of Music 1952-77, was to coax Bolet there from Spain as a teaching colleague.) Imelda Delgado in a book on Foster relates a shocking event in which in 1929 the young Sidney was dismissed from Curtis for being a "bad boy", though it later turned out that i

A name you don't hear in Jorge's usual biography! Jorge had begun piano lessons with sister Maria. (He said in an interview in 1943 that he was seven years old at the time.). At age four, he had been attacking the piano keys so enthusiastically that one day he literally broke a hammer. 'After that he was consigned to an imaginary keyboard—specifically, the living room sofa—and his cherished pastime was banging out scales and octaves on a slab of overstuffed mohair, supplyi