There's a bit of drudgery leafing through masses of newspaper reviews, but it's worth it when you come across a jewel like this. 31 January 1971 (Sunday, 3pm) Fair Lawn High School, Fair Lawn, New Jersey, USA Beethoven: Piano Sonata No.31 in A-flat major, Op.110 Liszt: 12 Études d’exécution transcendante, S.139: 7. Eroica, 5. Feux Follets, 9. Ricordanza, 8. Wilde Jagd Chopin: 24 Preludes, Op.28 Encores: Schumann/Liszt: Widmung, Op.25 No.1 (S.566), Chopin: Waltz in D-flat majo

Speaking in 1974 to Russell Harty

Jorge Bolet in the Syndey Morning Herald and The Age

A couple of clippings from Cincinnati newspapers October 1963

Jorge Bolet on Latin American music, as reported in the Oregon Daily Journal , 17 November 1962

Redwood City Tribune, 31 December 1960

The Columbus Ledger (Georgia) devotes at least five articles to Jorge in October 1961

Jorge Bolet, Hochschule für Musik, Berlin, March 1961. "Only David Oistrakh received the sort of ovation this audience gave Mr Bolet, calling him again and again to the stage for more than half an hour after the concert." ( Tagespiegel 31.3.1961) Of the Liszt festival in Berlin in August/September 1961: Spandauer Volksblatt (5 October 1961), "When something up after the end of the Festival Weeks, Jorge Bolet's piano, recital will remain as one of the strongest assets. He pl

Santa Barbara newspaper, January 1961

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Pianist Jorge Bolet Receives a “Strong” Welcome "A visiting pianist at Joint Senior High School expected polite applause and perhaps a wilted corsage. Instead, he was met by the school’s human brick wall: the school’s impressively built football team, captained by Buck “Brick” Donovan—owner of a jaw you could sharpen pencils on, shoulders that apparently require their own postcode, and a varsity sweater clinging on for dear life. His grin? Bright enough to make the stage ligh

New Zealand's Evening Post (11 March 1961) carries a text by Jorge Bolet on his preparation for the 1960 film (with Dirk Bogarde) ​ When William Goetz, the producer of "Song Without End " first approached me with the idea of portraying musically the great Franz Liszt , I must confess I received the suggestion with mixed feelings. ​ Naturally, I was enthusiastic at the opportunity to play the music of a man who had always been my artistic idol, but the offer had its terrifyi

I've added some reviews from Jorge's New Zealand tour of 1964 to the relevant page. Here are some clippings from the Evening Post .

Cuban Airs to Sound On Colorado Range? The Rocky Mountain News (Daily), November 27, 1944 The plaintive if slightly monotonous tempos of the West Indian calypso may leave their mark on the lustier folk music of western North America as an indirect outgrowth of the war. That opinion was voiced in Denver yesterday by Lt. Jorge Bolet, noted Cuban pianist and assistant military attache to the Cuban Embassy in Washington. Lieutenant Bolet is in Denver for an appearance with the D

Who knew? It cannot have been the full Die Walküre, as that would need to start much earlier than 7:30pm. It was given as a pantomime by a grils' summer camp with JB playing the piano score. Otsego Lake is a lake located in Otsego County in the U.S. state of New York. It is the source of the Susquehanna River and largest lake in Otsego County. The Village of Cooperstown is located at the lake's southern end. Glimmerglass State Park is located on the lake's northeastern shore

Jorge in cheerful mood entering the green room in the Philharmonie, Berlin before what turned out to be his last recital. (Photo: Mattheus Smits)

Jorge's masterclass in Edinburgh (early 1980s). "If my memory is correct, the masterclass took place in a school next to the Royal Botanic Gardens at Arboretum Road. Left from Jorge can be seen Elisabeth Kittel, right from Jorge you can see me [Mattheus Smits]; the small group at my right is of some of the students. If I am not mistaken, the student on my right-hand side is Santiago Rodriquez who became an important pianist." Photo: Mattheus Smits Elisabeth Kittel (1925-2020

A portrait once said to be by Leopold Kupelwieser (not authenticated) and said to be of Franz Schubert aged 16, probably drawn before Kupelwieser met Schubert. Modern research suggests it is Karl Joseph Maria von Hartmann or Moritz von Schwind. Jorge Bolet & Franz Schubert. On 30 January - 2 February 1989, Bolet recorded for Decca two sonatas by Schubert, Sonata in A minor D784 and the one in this recital D959. He had in fact played Schubert throughout his career, reasonabl

15, 16 May 1987 Circle Theater, Indianapolis Grieg {+ Saint Saens Organ Symphony [No.3] and José Pablo Moncayo, Huapango } Indianapolis Symphony/John Nelson (Jorge Mester)

The Age (Melbourne, Australia), 28 February 1987