I recently found a review of volume 1 of the Liszt series for Decca in a Uruguayan paper which I have added below Opinar  (1 July 1982) reports of a concert in Montevideo, Uruguay  (Saturday 12 June, in the Teatro Solís) with Brazilian conductor Isaac Karabtchewsky (born 1934) and the Sodre Symphony Orchestra, the national orchestra. 'The great Cuban-American pianist was at the second concert conducted by Karabtchevsky. He belongs to that category of pianists who continue the

JORGE BOLET – The Ambassador Auditorium Recitals, Pasadena, California, USA, 1981 and 1986 (3CD) This is the first release of Bolet’s two recitals recorded at the Ambassador Auditorium, California. Transferred and remastered in high resolution. Due out in autumn 2026 LINK 1 NOVEMBER 1981 Felix MENDELSSOHN (1809–1847) 1–3. Fantasia in F sharp minor, Op. 28, ‘Sonate éccossaise’ (1833) Robert SCHUMANN (1810–1856) 4–6. Fantasy in C major, Op. 17 (1838) interval Franz LISZT (1811

I'm a bit late to this as the article was published in November/December 2014 in International Piano . However... Jeremy Nicholas, who wrote a biography of Godowsky, recalls Jorge Bolet. Here's an extract. Though it would be presumptuous of me to describe him as a friend, I got to know him quite well in the late 1970s. Thereafter, he would invariably phone to tell me when he was in the country and I made sure I saw him after all his UK recitals. One memorable evening, I thi

Ian Hominick, Professor of Music, University of Mississippi is due to publish a biography of legendary American pianist Earl Wild in October 2026. Professor Hominick began studying piano in his native Nova Scotia and continued his studies in the United States under the tutelage of Earl Wild. He earned the Doctor of Musical Arts degree from Ohio State University in 1991 where he served as assistant to Wild. Jorge Bolet and Earl Wild had some interaction so it will be interesti

Lookee here! Just arrived. Antonio Armella's chronology of pianist Arturo Benedetti Michelangeli (December 2025). 491 pages (independently printed by Amazon), on good paper with clear printing. I had wondered what the quality would be like, but this looks excellent. The minus point is that I don't read Italian; the plus point is that it's a resource, not a book to read from cover to cover and with my knowledge of Latin and romance languages + Google Translate, it should be

This was the first review I read of Jorge Bolet, March 1983 in Gramophone magazine. It was of the first volume of his Liszt series for Decca (the 1978 disc for L'Oiseau-Lyre, a Decca subsidiary notwithstanding). The reviewer was Max Harrison, and his review prompted me to buy the LP in Glasgow's HMV shop, in Union Street.

Happy New Year from the Jorge Bolet Website

Another very fine photo provided by Mathias Donderer: Paris, 1988 The photographer was Wilhelm Fröling.

Mathias Donderer has kindly provided some photos - here is a second one from the recording studio. “They were taken during our tour with Jorge Bolet in 1986 and in Berlin when recording Schumann and Grieg with Riccardo Chailly for DECCA.” The photographer was Wilhelm Fröling.

Cellist Mathias Donderer has kindly provided some photos - for the moment here is one. “They were taken during our tour with Jorge Bolet in 1986 and in Berlin when recording Schumann and Grieg with Chailly for DECCA.” The photographer was Wilhelm Fröling. More to follow.

Jorge Bolet: not Hungarian enough! Okay, the title might be what is known as clickbait , but I've been amused by this diary entry by a Hungarian who heard Jorge play some Liszt in 1981. She found the lassú (slow) part of the csárdás too slow. 31 March 1981, Bishopsgate Hall, London: lunchtime recital.  Since opening on New Year's Day 1895, the Bishopsgate Institute has been a centre for culture and learning. The Great Hall, in particular, was erected for the benefit of the p

25/26 (?) January 1968, Tchaikovsky's Piano Concerto in the Teatro Real, Madrid with Rafael Frühbeck de Burgos and the Orquesta Nacional de España. "Pines of Rome" by Respighi and a work by Óscar Esplá (1886-1976).  ​ 'The Cuban pianist Jorge Bolet possesses the technique of a great virtuoso, demonstrated time and again in both the mechanical capacity and the possibilities of power ( demostrada una y otra veztanto en la capacidad mecánica como en las posibilidades de potencia

Jorge Bolet "Claire de Lune" I recently came upon this gem from Larry Yungk's YouTube Channel (he has been an occasional but very fine source of JB information over the many years of this website). It's been online for 12 years but I knew nothing about it. I'm now ashamed to say -also - that I never spotted it on the Marston 6 CD set, or if I did, I don't recall. Christian Johansson's website on pianists has given some background. He suggests. a date of 1980: University o

The pianist David Wilde died on 23 October 2025. Although I never met him, I owe a great deal to him (as the video explains). See also this blog entry David Wilde, ‘magnificently berserk’ pianist and composer of The Cellist of Sarajevo Billed as ‘the 10-year-old Boy Prodigy’, he performed the Grieg Concerto at Blackpool, and broadcast it that year on the BBC Telegraph Obituaries 12 November 2025 ​David Wilde, who has died aged 90, was a thoughtful and dazzling pianist, thou

Jorge Bolet by Alan West-Durán: "Pianista luminoso" For those who read Spanish (or can use Google Translate), here is an unusually full article on Jorge Bolet by Alan West-Durán (La Habana, 1953), a Cuban poet, essayigst, translator and critic. He is a Profesor at Northeastern University (Boston). It's nice to read what a Cuban thinks of his compatriot. https://rialta.org/jorge-bolet-pianista-luminoso/ "Cuban musician Jorge Bolet achieved a unique and recognizable style. His

Jorge Bolet and The Devil, 1964: the video will explain! In late October and November, Bolet made a tour of South Africa (spring in the southern hemisphere).    Impresario Hans Adler told the Johannesburg Sunday Times in November 1962 that negotiations for the tour were already under way. This tour would also include a recital in Windhoek, formerly South West Africa, now Namibia)​​​. See South Africa page for more details

Jorge Bolet, Vienna, 23 May 1935 "But even in Cuba, they are aware of the secrets of Beethoven's style. This was demonstrated by the young, exceptionally charming southerner Jorge Bolet, whose "Appassionata" displayed such maturity, inner serenity, dazzling technique, and nuanced touch..."    Die Wiener Tag (7 July) The artist proved himself a refined musician. A clear, well-developed technique – only the fortissimo  attack was a little dry – provided the foundation for a per

​ On 6 March 1983, Gilels performed in London's Royal Festival Hall: Brahms    Variations on a Theme by Paganini Opus 35 (Book 1); Fantasias Opus 116Schumann    4 Klavierstücke Opus 32; Symphonic Studies Opus 13 Jorge was in London to record Liszt's Années de pèlerinage: Suisse  S160 during 8-11 March 1983 in Kingsway Hall, which would constitute volume 5 of his Liszt series for Decca. Peter Wadland, JB's producer for DECCA, remembers Bolet & Russian pianist Emil Gilels (1916

New website (link): Arturo Benedetti Michelangeli (1920-1995)

As if it is not enough to maintain a website on Jorge Bolet, I've recently begun another on Italian legend Arturo Benedetti Michelangeli....